Even though the previous two weeks have been so busy, there is no rest for the weary! Saturday, I had a full day planned--it was VIOLA DAY! The Utah Viola Society sponsors a viola day at the University of Utah twice a year, and October 15 was the day!
Before I could go to viola day, however, Bruce came home from work, and he had had quite the eventful night. Friday night was a BYU football game--the homecoming game, actually--so the hotel was full of CNN people and lots of football fans, including lots of older couples. That kind of busy he was expecting, but what happened next was unexpected. At 6 AM, he got a panicked call from a lady asking him to call 911 because her husband was bleeding and had vomited and she was very worried. The phone system was kind of wacked, so he had to call 911 on his cell phone, and then they wanted to talk to the lady who was having the problem, so he had to have them call the hotel and then transfer the call to the room. By the time that happened, the paramedics were already coming in the door. They had an adventure trying to fit the gurney into the elevator, but did succeed. However, the man (who was actually an older man) had died before they got there, and Bruce was told by one of the medical officers that there would have been nothing anyone could do even if they had gotten there a minute or two earlier--whatever the medical emergency was, it was one of those that would not be anything but fatal. So, I hope the man and his wife had a really fun night at the football game and I hope they were really happy on what was his last night on earth! So, that was a first for Bruce--a death in the hotel. The general manager commended him for handling the situation really well and staying calm, and keeping a smooth operation running with other patrons while the emergency was underway. Bruce was worried about how they removed the body without upsetting other people, but the GM told him (because they had not done this until Bruce's shift was over) that it actually went really well. Happenstance allowed some good timing. There were families with small children, and they all left just at the moment the elevator doors opened while the body was being brought out. So...that was Bruce's excitement.
He went to bed, and I went to Viola Day. Viola Day is capably organized by Brad Ottesen and Julie Edwards. Brad is artist in residence at Utah State, and Julie is a violist in the Utah Symphony, and they are both good friends and lovely people.
This was a special day because we were honoring David Dalton. Dwight Pounds had given a presentation about the Dalton-Primrose Collaboration at both Viola Fest at Oberlin in the summer, and again at the congress in Cremona. We had the same presentation, only Dwight's part was delivered by Aaron, David's only son. Then there was a question/answer period which was supposed to be David, Donna and I. (Me for questions about the archive.) However, David answered all the questions except for what year Primrose died (1982) which I answered, and I think Donna answered a one-word answer, too. When Brad, the UVS president, said we needed to end, David said, "But the ladies haven't had a chance to say anything!" We were just up there being lovely to look at, I guess.
Next up was a concert of transcriptions done by David Dalton, and before each one, he would tell a bit about how it came to be, who published it. Each piece was played by a former student. Oh, and Brad and I were the stage managers--we didn't do it the traditional way because we also wanted to be in the audience. But in between, we jumped up to move instruments and music stands and things.
First, Leslie Richards played Suite for Viola and Keyboard by Marin Marais, with Loren Carle on harpsichord. David did this transcription while a student at the Eastman School of Music, then took it to the music librarian and asked what he should do with it, and she told him to "start at the top" with music publishers. Two of them were interested in publishing it, and he decided to choose Peters. He and Donna and their new baby were on their way to move to Munich for some study when he stopped at the Peters office in New York. They asked if he wanted to take a cash payout, or receive royalties. He didn't think there would be THAT much demand for the piece, and they needed money for their move, so he took the cash payout. About 20 years ago, he discovered that the piece was on the Royal Conservatory required list for all of the UK and the commonwealth, and it is still selling today. "I should have taken the royalties!" he said.
Next was Emily Barrett Brown playing the Donizetti Romanza with Melissa Heath, soprano, singing what would have been Donna's part back in the Dalton performance days, and Lara Allen on piano.
Then Caryn Jackson Bradley played an Aaron Minsky work, Truckin' through the South. I think that the Donizetti was published by OUP, and then they asked him to do the transcription of a series of Minsky pieces, of which this one that Caryn played was one. (He asked for royalties on the OUP items.) Caryn is a small girl, hugely pregnant with twins, due in November.
Megan Mason played two of the Chants d'Espagne by Joaquin Nin, and I remember no stories about them at all.
And last was LeeAnn Morgan playing a Primrose transcription of the Telemann Concerto--David Dalton helped Mr. Primrose to get this published, and actually helped him with a lot of the music copying to ready it for publication, and then LeeAnn did her dissertation on the Primrose transcriptions with a lot of help and encouragement from DD, hence it was included on this program.
Last of all was a group called "Camerata de Maglione de Alto Clef" a name totally made up by Brad, and probably butchering a couple of languages--he was trying to say something about the Chamber Ensemble of the Alto Clef Sweater in homage to DD's sweater. Eleven of DD's former students played "A fourth of a fifth of Beethoven" by Joel Belgique, who is another of DD's former students. They all donned mustaches to honor DD's ever-present, over decades, mustache, and it was really fun especially since the mustaches had a tendency to fall off and get stuck on violas, music, the floor, hair, clothing. It was comical.
So...a fitting end to a post that started out talking about an old man dying. Just a different old man. (I am glad that DD was alive to be toasted as he was this day!)
Before I could go to viola day, however, Bruce came home from work, and he had had quite the eventful night. Friday night was a BYU football game--the homecoming game, actually--so the hotel was full of CNN people and lots of football fans, including lots of older couples. That kind of busy he was expecting, but what happened next was unexpected. At 6 AM, he got a panicked call from a lady asking him to call 911 because her husband was bleeding and had vomited and she was very worried. The phone system was kind of wacked, so he had to call 911 on his cell phone, and then they wanted to talk to the lady who was having the problem, so he had to have them call the hotel and then transfer the call to the room. By the time that happened, the paramedics were already coming in the door. They had an adventure trying to fit the gurney into the elevator, but did succeed. However, the man (who was actually an older man) had died before they got there, and Bruce was told by one of the medical officers that there would have been nothing anyone could do even if they had gotten there a minute or two earlier--whatever the medical emergency was, it was one of those that would not be anything but fatal. So, I hope the man and his wife had a really fun night at the football game and I hope they were really happy on what was his last night on earth! So, that was a first for Bruce--a death in the hotel. The general manager commended him for handling the situation really well and staying calm, and keeping a smooth operation running with other patrons while the emergency was underway. Bruce was worried about how they removed the body without upsetting other people, but the GM told him (because they had not done this until Bruce's shift was over) that it actually went really well. Happenstance allowed some good timing. There were families with small children, and they all left just at the moment the elevator doors opened while the body was being brought out. So...that was Bruce's excitement.
He went to bed, and I went to Viola Day. Viola Day is capably organized by Brad Ottesen and Julie Edwards. Brad is artist in residence at Utah State, and Julie is a violist in the Utah Symphony, and they are both good friends and lovely people.
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| Julie with the viola clef cookies that are a feature of every Viola Day. |
Next up was a concert of transcriptions done by David Dalton, and before each one, he would tell a bit about how it came to be, who published it. Each piece was played by a former student. Oh, and Brad and I were the stage managers--we didn't do it the traditional way because we also wanted to be in the audience. But in between, we jumped up to move instruments and music stands and things.
First, Leslie Richards played Suite for Viola and Keyboard by Marin Marais, with Loren Carle on harpsichord. David did this transcription while a student at the Eastman School of Music, then took it to the music librarian and asked what he should do with it, and she told him to "start at the top" with music publishers. Two of them were interested in publishing it, and he decided to choose Peters. He and Donna and their new baby were on their way to move to Munich for some study when he stopped at the Peters office in New York. They asked if he wanted to take a cash payout, or receive royalties. He didn't think there would be THAT much demand for the piece, and they needed money for their move, so he took the cash payout. About 20 years ago, he discovered that the piece was on the Royal Conservatory required list for all of the UK and the commonwealth, and it is still selling today. "I should have taken the royalties!" he said.
Next was Emily Barrett Brown playing the Donizetti Romanza with Melissa Heath, soprano, singing what would have been Donna's part back in the Dalton performance days, and Lara Allen on piano.
Then Caryn Jackson Bradley played an Aaron Minsky work, Truckin' through the South. I think that the Donizetti was published by OUP, and then they asked him to do the transcription of a series of Minsky pieces, of which this one that Caryn played was one. (He asked for royalties on the OUP items.) Caryn is a small girl, hugely pregnant with twins, due in November.
Megan Mason played two of the Chants d'Espagne by Joaquin Nin, and I remember no stories about them at all.
And last was LeeAnn Morgan playing a Primrose transcription of the Telemann Concerto--David Dalton helped Mr. Primrose to get this published, and actually helped him with a lot of the music copying to ready it for publication, and then LeeAnn did her dissertation on the Primrose transcriptions with a lot of help and encouragement from DD, hence it was included on this program.
Last of all was a group called "Camerata de Maglione de Alto Clef" a name totally made up by Brad, and probably butchering a couple of languages--he was trying to say something about the Chamber Ensemble of the Alto Clef Sweater in homage to DD's sweater. Eleven of DD's former students played "A fourth of a fifth of Beethoven" by Joel Belgique, who is another of DD's former students. They all donned mustaches to honor DD's ever-present, over decades, mustache, and it was really fun especially since the mustaches had a tendency to fall off and get stuck on violas, music, the floor, hair, clothing. It was comical.
So...a fitting end to a post that started out talking about an old man dying. Just a different old man. (I am glad that DD was alive to be toasted as he was this day!)


































